Wednesday 3 December 2008

Scribble series...

jester


'Jester' 59.4cm x 42cm. Indian Ink on 60lb cartridge paper.

I read the autobiography 'Celebration' by Graham David Smith many moons ago, and the jacket photograph always struck me as really beautiful. Given that I was at a bit of a juncture with my artwork, I used that to get me started again. My work often has elements of duality, opposing forces, things that don't automatically go together, so I took the smoothness of the human form and used a scribble type effect that's quite harsh and vigorous to portray the shading of the form.

I have a strange thing for Venetian masks at present, so I combined the two, baring the nakedness of the torso with the covering of the eyes for concealment, such honesty and vulnerability with deliberate disguise. The history of the masks depict that they were used to originally enable 'fair trade' between the classes in C12th Venice between the trades people and the upper classes, but their use soon became utilised to cover all sorts of gambling and debauchery, especially between the classes.

I love the idea of the stunning loud gregarious masks being used for such secret liaisons, a way to disguise in order to be completely true to oneself. A trait we all have to one degree or another. The layers and facets of the human mind often have this weird duality, I know I do.

My current piece is based directly on this duality, using the 'Jester' and doubling up the image to produced a reversed mirror effect, a two faced man. So with that I will leave you and continue with the piece, hopefully completing today.


Thursday 13 November 2008

Distortion contortion...

BLOG


Reclining male nude 2008 - Homage to Modigliani. Acrylic on Canvas paper 46cm x 30cm.

Well the piece is finished and I have mixed feelings, as although I enjoyed it and its turned out OK, the distortion and possibly contortion of the figure jars somewhat. Possibly had I drawn the female form Modigliani style first and then drawn my version from it, it may have turned out better. Not for the bin, but certainly one to stay in the portfolio.

I have a more pressing situation on my mind. For around five months I was a nude model for a local artist. It was the challenge that drew me, as I have had in the past a very dim view of my body. I got fat, got thin, got pregnant, suffered allot of birth trauma physically, got fat again and then got way too thin, finally steadying down to a little larger than I am now. I decided to take a different approach to being more self accepting and went on a voluntary basis to sit for a total stranger (male) who paints VERY realistically (hes much like Freud) and had trial by fire.

It felt awkward and strange at first but then it became absolutely fine, totally no different than sitting there WITH my kit on. Well sadly the artist had to give up his studio so the painting didn't get completed. But today he gave me a bell and his exhibition opens tonight, and he REALLY wants me to go, as one of the initial sketches that was completed has been put up for all to see. Its really quite scary, as in theory I felt fine with this notion, that maybe one day I would be on public display, now that time has come I am very nervous and am seriously considering a disguise! Because a strange part of me is drawn to going, I don't feel I want to make my excuses. So I am going to go, but maybe via the real ale pub for a spot of dutch courage, so I dare walk in a gallery full of mainly strangers having a look at me and all the bits I don't like. Also there is a possibility that there is further modeling work for a class situation, and I have to ask myself is that scarier than modeling for a perfect stranger? I will have to wait and see.

The other reason I volunteered was to be around creativity and 'art' to try and bustle me along, and it did the trick. Just being around a painter really inspired me to WANT to paint, and I got to meet other artists in the HIVE and generally just make connections.

Which kind of lead me to thinking how much Twitter has become part of my life, having artists regularly popping up pictures of their latest works, and words about their trials and tribulations is just a fantastic thing! Being alone in a studio for hours at a time is both sublime and also my worst enemy, too polar conflicting feelings, and Twitter bridges some of the feelings of isolation, and for that I thank those lovely people! Keeps me motivated and away from the lows that can sometimes accompany being home alone for many hours.

I think that's about it, a world record, two blogs in as many days, so I shall be off and try and calm my nerves before I go tonight...I shall report back on what happened.


Wednesday 12 November 2008

Tragedy to Optimism...

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Reclining Nude, 1917 Amedeo Modigliani (Italian, 1884–1920) Oil on canvas; 23 7/8 x 36 1/2 in. (60.6 x 92.7 cm) The Mr. and Mrs. Klaus G. Perls Collection, 1997 (1997.149.9) http://www.metmuseum.org/toah/ho/11/eust/ho_1997.149.9.htm for further information.


...a fitting title for the type of yin yang sort of gal I am. All or nothing approach the to world of bloggerism, which I feel I must try and find a balance for. Or maybe the acceptance over the years of the woman I am is quite enough and I will blog when the mood takes me, less pressure that way.

Above, is a piece by the tragic artist Amedeo Modigliani, an artist to which I return some 18 years later. For my GCSE Art I chose this chap to study for my finals. Even back then I loved the controversy my study and subsequent exhibition caused, as I interpreted his work through my eyes using the male form (and probably the very first time I had used the naked male in my art). I remember the hushed twittering of fellow pupils and teachers in the reception area of my High School as a full frontal nude of a male was placed on the wall, grubby fingers poking and silly grins of the stereotypical pubescent teenager taking notice of the work I had done...a bizarre feeling of accomplishment was what I got out of it, besides my A grade. I am still not 100% sure why, I suppose its the exhibitionist in me that rears its head and gives me a bit of a giggle. Unfortunately in the summer of 1990 my school was destroyed by a massive fire and my whole portfolio died a tragic watery death in cell block E, along with similar take offs of other artists like Dali and the Persistence of Memory, another interpretation with melting syringes (a big drug campaign was around at the time) instead of clocks.

So I hit 35 years old in October and came across, completely by accident, a Bio on Modigliani, who tragically died at the age of 35 of tuberculosis, aided by heavy alcohol and drug consumption. He was totally penniless and often peddled his artwork in exchange for meals at restaurants, or for his vices. Anyway, it just seemed fitting to have another go at interpreting his work through my eyes, seeing as I have made it past 35 (just) and am penniless. I love a certain amount of strange random connections when I begin a piece. Even though the above is my current inspiration, it was not the work I used for my GCSE, which promptly came to me half way through this painting. I have started so I will finish! But may end up reproducing the one I know I used in my exam for my next piece.

It just seems a really lovely way to take stock of the work I have produced to date, and my embarkation on the new to move forward, with phase 1 of my website now (finally) floating around the ether. Looking back over the work I have produced over the years raises many a question and memories, like the male nude I exhibited at a church...oh the twittering was an absolute scandal! 'Twas only a rear view though, I was being empathetic! See I just can't help it, the parishioners nearly choked on their ginger nuts!

And the most important question that keeps me vexed is 'to paint (what sells) or not to paint' (what sells)? What is the answer? Always a HUGE dilemma. Do I go safe and paint pretty pictures which sap my soul but have a wider audience, or maverickly continue in my quest for my own signature style in the male nude market, which has a limited and shy audience? Do I commit to a style and limit my enthusiastic creativity? Is that the signature of a 'proper artist' ? That of being known for a regular style and/or subject? Is it the trail of immaturity artistically to be so random in style and possibly subject? Should I be concerned with such questions or just let my creativity and desire lead the way? I don't have the answers, only optimism that all will become clear.

So for now I will finish this painting in front of me, hopefully tomorrow it will be up here for all to see, and continue in my randomness of thought and deed to muddle my way along my master plan. The plan, at the moment, includes painting more, blogging more, Phase 2 of the website which will include paintings for sale and the probable opening of an Etsy store and Deviant Art store, and my first solo exhibition next year, possibly in the summer and then and thereabouts learning the art of self promotion though magazines, hopefully, and other galleries. Its a plan!

Since committing to my artwork again, absolutely loving the process (finally) again, I feel a whole new world awaits me to explore and adore, I am like a child in a sweet shop...only a very distant memory now, are the years since the birth of my son, where I wanted to destroy all my art materials and never paint again, it was the blackest part of my life, Post Natal Depression. There's a lot to be said for time as a great healer. From tragedy to optimism, an all or nothing approach, which goes hand in hand with the yin yang gal I am.


Tuesday 14 October 2008

Me and my men....



'Spined' Mixed media on canvas paper 260mm x 410mm




'Farfalla' Mixed Media on Watercolour paper 390mm x 560mm

....are at one, lol, well at least paintings of men are. I adore their form, the beauty of strength combined with naked vulnerability. Here two very different pieces, the first 'Spined' using the new Inktense pencils from Derwent, really beautiful to use and do what they say on the tin! I did a sketch with some shading with the pencils dry then once complete sprayed the whole surface with water to make the colours come to life. The yellow turned out a little too intense for my liking so worked over in silver wax crayon, which I then scumbled over with silver polishing powder (used for painting models of cars etc) which stuck to the wax leaving quite shiny silver areas while the powder just softened the yellow where I didn't have wax. An unusual painting for me but with much gained from experimenting with different media.

'Farfalla' (Butterfly - Italian) was produced in a similar way but using Derwents range or Graphitint pencils. Again worked dry then once shaded water sprayed onto it. Its didn't quite have the effect I had thought it would and it tended to puddle (I didn't stretch my paper - bad girl) so I blotted and was pretty disappointed. I left it to dry then worked on top with a slightly dried up marker pen and copper leaf. The background was achieved by painting with a wash of Prussian acrylic paint, then used a crackle medium to be finished with a layer of Paynes Grey acrylic straight from the tube. Not a bad result, and very useful in terms of feedback from using the various media, and it was the first time I had used leaf in any work...it has a mind of its own! and still getting to grips with that in order to get the best from it.

Long time, no see.....

'Big Ideas' 914mm x 914mm Acrylic on Boxed Canvas

Well its been a while since I last blogged...mainly due to the summer holidays and my son Hayden been off school, leaving precious little time to get creative. Sadly my website seems to have lost momentum, Hubby is doing it and hes busy, and don't suppose he would appreciate me keeping nagging...so its seems on the back burner for now. At least I can shimmy the blog along and my tweets, both of which have stood uncomplaining waiting for me to pick up where I left off.

I was pretty strict with myself and when time became more readily available was totally focused on the commissioned painting for Ensembli. That is now complete, having loved the challenge of doing it, and it being so far removed for my 'normal painting styles and topics. Hopefully 'Big Ideas' reflects Ensembli (a new start up company based in Sheffield) as the blue skies company it is, originating in its industrial setting of the old Aizelwood Mill, with its solid brick foundations and feet firmly on the ground. When Ensembli hit the big time they will have a permanent record of their roots as the fly high and into the future. The painting was well received and now resides in their offices at Aizelwood.

I am currently in quite an experimental mood, wanting to push the limits of different media and introduce new media. Working this way is opening new horizons if not producing master pieces, but does afford me the freedom to explore and experiment battling against the easy option of sticking to what I know and typically what sells...always a quandary which can stifle and suffocate even the most creative.

Enjoying using metallics in the form of crayon, gold/copper/silver leaf, metallic paints and silver rubbing powder I acquired from somewhere and have never used. Maybe the results are not always what I expect but I am like a kid in a candy shop wanting to run around and just make marks.

So after I have updated this blog with the finished Ensembli painting, and my latest two experimental pictures I am looking forward to painting some more, possibly using corsetry as the initial starting point. I hope within the next few weeks my website will be up and I can finally build it and get the business cards sorted from Moo...I have so many ambitions for over the next year of which this and my website are the foundations, so onwards....

Wednesday 9 July 2008

Flirting with beginings


914 x 914 cm canvas, the base for the Ensembli painting. Painted up in graduations of colbalt blue as the first stage.

Sketches and ideas for the Ensembli painting.

Well its a week of all go, my blogger template is working and I love it, which means that this design can be worked back through to the rest of the website now and subsequent business cards. Hopefully if the plan comes together the site will be a smooth transition throughout, nothing flashy, just a simple site to show my work as I begin to take my work seriously again after having Hayden...its taken me long enough! I am excited by the site and it appears that it will do exactly what I wanted, and hopefully I can integrate links etc to external galleries and artists sites as I go along....exciting times.
The second major beginning is this new painting for an office building in Sheffield, for a company called Ensembli. Using the logo and its location I have come up with a concept that seems like a goer, just the fine details to iron out. I wanted to express thier Blue Skies attitude to thier product, its roots and foundation both in the physical building and industrial heritage of Yorkshire. To reflect the impact that thier ideas have/will have on the world and the ripples of influence those ideas will generate. The emergence of the bubbles from the chimney represents how ideas can become reality yet the solidity of the chimney gives grounding. I am also aware of making these concepts work away from Ensembli and as a stand alone painting and I think it manages to achieve both.

Tuesday 8 July 2008

Latest painting...


Alpha Male II

26 x 18 inches, Acrylic on Canvas board.

Latest painting, part of Alpha Male series, looking at the shoulder and arms of the beautiful male. Playing on the strength of the male role. I have tried to express the lifting up, guidance and safety of the male, and to honour the beauty that is the male.

Brand new day...

...well here it is, my first blog, and just a small piece in my aim for world domination. Seriously, it is time for me to take my artwork seriously again, and so heres my blog that I am commited to updating showing what I am upto in Nikki World. The blog template will provide the benchmark for the rest of my site which is currently being designed. The theory being that the site then will be seamless throughout and totaly integrated.

All being well the site should be functional within a couple of weeks and my job then is to get the detail in. For some reason I REALLY liked a particular style of gallery and so thats causing a bit of a problem, which I am assured will be sorted.

Thats about it from me, onwards.....